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  • seanmallary 9:52 am on February 4, 2010 Permalink | Reply  

    Babies and computers. ready set go 

    Two Babies With  An Old Ass Computer in a Plain White Room

    A brief play by Sean Mallary

    The scene:

    A well lit, plain white room.  Mid Day.  On the floor is a white sheet, or possibly a white plastic drop cloth in the case of accidental urination.  An old Apple 2e desktop computer sits in the middle of the room.  Two babies, dressed only in Huggies brand disposable diapers sit near this machine.

    Characters:

    Baby #1 (B1):  Male.  Less than 2 years of age.  Pale skin, thick with baby fat around the middle.  Light colored hair with very early signs of male pattern baldness.  The elder of the two, and somewhat of an intellectual with great working knowledge of the world around him.

    Baby #2 (B2):  Male.  Also less than 2 years of age. Pale skin, blotches of pink coloration around his face and chest with an athletic build.  Dark hair that is kept cut short for  a just got out of bed look.  The younger of the two-with a curious nature, quite gullible and susceptible to outside influences.

    A note from the “playwright”:

    The dynamic of the two characters  falls somewhere between Laurel & Hardy and Pinky & the Brain.  The pace should be quick, with few dramatic pauses, unless deemed necessary.  This is a rather serious piece that must not be played for cuteness, slapstick or cheap laughs.  The babies are meant to be played by lifelike, fully animatronic puppets.  Failing that, real babies can be used if made to look like they are speaking, not unlike the old TV show Mr. Ed.  Failing that, two grown actors in diapers is acceptable, as long as they are entirely free of body hair, tattoos other physical blemishes.  This should only be done as a last resort.  Ideally the dialect should be upper class British for baby #1, and poorly performed cockney for baby # 2, but this is not mandatory.

    (Lights up)

    B1:  Psst.  Hey you.  Kid.

    B2:  Huh?

    B1:  Hey.  Are you deaf?

    B2:  I don’t know.

    B1:  I’ll take that as a maybe.

    B2: Did you just talk to me?

    B1:  Of course not.  We are only toddlers.

    B2:  But I heard you.

    B1:  No you didn’t.  You just think you heard me.

    B2:  No.  I’m pretty sure I heard you.  Then you talked again, then I talked, so that means    we can both talk and hear each other.

    B1:  Can’t say I follow your logic.  Anyway, it’s impossible-we haven’t developed those skills yet.

    B2:  Then how are we communicating?

    B1:  Depends on what you consider communication.

    B2:  I believe it’s the imparting or interchange of thoughts, opinions, or information by speech, writing, or signs.

    B1:  Never heard of it.  There’s absolutely no speaking involved.

    B2:  That’s absurd.

    B1:  Not really.

    B2: How do you explain the dialogue we’ve been having?

    B1:  Nope.  It’s not real.  It’s some kind of internal monologue bs they made up in the 80’s for movies where babies took on the personas of grown adults for comedic effect.

    B2:  So basically it’s a story telling mechanism that imposes sophisticated themes and concepts on to characters (ie-babies) whom could not possibly conceive those notions on their own?

    B1:  Sure.  That’s the gist.

    B2:  So it’s like when they make a lizard talk to sell various goods and services?

    B1:  That’s something different, but the idea is the same.

    B2:  I see. So in our minds we can speak?

    B1:  Sure

    B2: The tall fat ones can’t hear us?

    B1:  I don’t think so.  It just sounds like Chinese or something to them.

    B2:  Interesting.  I’m Blayne, btw.

    B1:  BTW? What’s that?

    B2:  Sorry. I meant, by the way.

    B1:  I’m Mark.  You use the phrase LOL and I swear to god  I’m going to smack you in the face with my pudgy little hand

    B2:  Ok ok…Nice to meet you.

    B1:  Yeah.  Ditto.  What kind of moniker is Blayne?

    B2:  What do you mean?  I think it finds its roots in the Celtic term…

    B1:  No, it’s not a proper name.

    B2:  It’s not?

    B1:  No, it’s one of those new fake names that the tall fat ones make up to feel superior  about their offspring.  I bet it’s spelled strangely  too

    B2:  How should I know? It’s not like I can read!

    B1:  Probably the name of some Hollywood twink of the week.  I’m so sick of parents today.

    B2:  Parent

    B1:  How’s that?

    B2:  You said parents.  For me it’s just parent. Single.  Only mommy.

    B1:  Oh I get it.  A bastard ay?

    B2:  If you must be so common.  Yes, father made his, uh, contribution and then left the picture.

    B1:  Wow are you in trouble.

    B2:  Huh?

    B1:  A crappy name.  No dominant male presence in your household.  The numbers are not in your favor my friend.

    B2:  Numbers?

    B1:  Mathematical objects used in counting and measuring.

    B2:  Oh, I see.  And they’re against me?

    B1:  I’m afraid so.  Statistics show that young males that grow up without a father figure are ten times more likely to fail out of school, sell drugs and commit hate crimes.

    B2:  I had no idea.  How about you, how do you fair?

    B1:  Good Christian name.  Two parents-both employed.  I’m set for the white, middle class dream.

    B2:   I would say so

    B1:  Well maybe there’s hope for you yet.  Are you on the sauce?

    B2:  I beg your pardon?

    B1:  You know. The sauce? The pale horse?

    B2:  Uh, no

    B1:  The good stuff? The nectar of the gods?  The white river of life?

    B2:  Oh, you mean milk?

    B1:  Well yes, if you insist on being crass.

    B2:  Of course I drink milk.

    B1:  But what’s the source?

    B2:  How am I to know?  I take a bottle four times a day, sometimes five depending on the humidity levels…

    B1:  Hold on there.  A bottle? You don’t get it from the tap?

    B2:  What do you mean the tap?

    B1:  The tap!?  The fountains of youth? The, uh, mammary glands of your birth mother? Her breasts man-where milk is made!

    B2:  That’s disgusting! I’m a strict vegan.  I don’t eat dairy.  Just soy

    B1:  Wow. You really are in trouble buddy.  It looks like you are going to be gay too.

    B2:  I find that very offensive!

    B1:  Well I’m sorry.  The numbers don’t lie.  Stats show that something like 80% of guys that don’t drink mother’s milk as infants turn out as homosexuals.

    B2:  Can we please discuss something else?

    B1:  Fine.  Suite yourself, but you are living in a state of denial.

    B2:  Change of topic.

    B1:  What do you have in mind?

    B2:  Well, where are we?

    B1: Right here.

    B2:  Obviously

    B1: Is it-are you sure?

    B2:  I think so, yes

    B1:  I don’t know if I can believe a kid that’s not on the sauce?

    B2:  Please don’t be so crude!

    B1:  Ok then

    B2:  So we are here?

    B1:  If you say so

    B2:  But where is that?  There don’t seem to be any visual cues to suggest that we are anywhere at all.

    B1:  A valid point.  Now that you mention it.  Just this infinite white background.

    B2:  It does seem infinite.  Maybe we are in a cloud

    B1:  I don’t think so.  A cloud wouldn’t have the density to support our weight, even though we are quite small for our species.

    B2:  Right.  Speaking of species.  I don’t see anyone else around.

    B1:  Exactly.

    B2:  What is?

    B1:  We’ve clearly been left alone.  No sane adult would leave two babies un-attended, trapped in an infinite white abyss.

    B2: I hope not.  But at least they left us this thing.

    B1: I wouldn’t touch that if I were you.

    B2:  Why is there meat in it?

    B1:  Don’t be ridiculous!

    B2:  Well, what is it then?

    B1:  I’ve been working on a theory about that

    B2:  I’m listening

    B1:  I don’t know.  It might blow your tiny mind.

    B2:  I can handle it.  I just turned 14 months

    B1:  Alright, but you can’t tell anyone

    B2:  How? In my special Chinese sounding baby language?  There’s no one else here

    B1:  Well played.  Ok-here goes.  I think it’s an ancient alien technology left here to control human civilizations remotely from a far away galaxy.

    B2: And?

    B1:  That’s it

    B2: Right.  I want to touch it!

    B1:  No-don’t!

    B2:  Too late.  How can you justify your theory?

    B1:  I can’t

    B2:  You can’t?

    B1:  Nope.  Just what I believe.

    B2:  I call bull shit!

    B1:  Oh come on! What else could it possibly be?

    B2:  Lots of things

    B1:  Such as?

    B2:  Well let’s see…A time machine, perhaps a masturbatory aid, or some type of crop harvester

    B1:  No-I don’t buy any of that!  I’m telling you it’s an extraterrestrial mind control device

    B2:  What makes you so sure?

    B1:  Have you ever seen adults with these things.  They are everywhere.  All different sizes. But get this-the shape is always the same

    B2: The shape?

    B1:  Yes-it’s always a light emitting rectangle that produces images for communication and entertainment.  Very complex-no way humans could have created this…

    B2:  I’m beginning to see where you are coming from.

    B1: Finally.

    B2:  So where do the aliens come in?

    B1:  They get humans addicted to the glowing rectangles, then make it so we can’t live without them.  Then-they come down and drink our blood when we are asleep.

    B2:  Oh, I get it now.

    B1:  I thought you might

    B2:  My query than is what is this one doing in here with us?  Two babies in an infinite white abyss?

    B1:  Ah ha!  Now we are getting somewhere

    B2:  We are? But we’re still here then?

    B1:  Well it is possible that at least once, we where here but not anymore.

    B2:  Explain

    B1:  It all fits into another theory I’ve been contemplating lately

    B2:  Alright.  Shoot

    B1:  Ok…So here we are with a complex device that doesn’t belong here

    B2:  It doesn’t?

    B1:  No more than the infinite white background.

    B2:  Touché

    B1:  I mean think about it.  We’re both less than 2 years old.

    B2: 14 months

    B1:  19 for me.  But what I’m saying is they’re trying to get us hooked early you see

    B2:  Who are?

    B1: The aliens!

    B2: Right

    B1:  But the thing is, we’ve not yet developed the brain function, nor the motor skills necessary to the device’s operation!

    B2:  Well that is quite ironic!

    B1:  My point exactly!  Our mere proximity to this machine is intended to be humorous, a total fallacy. Which, seems to be why we are here!

    B2:  But not now?

    B1:  Yes.  But perhaps we were at one time

    B2:  That’s the part I don’t get.  Everything else makes complete sense.

    B1:  Clearly, our likenesses have somehow been captured in still life, here against this infinite white background.

    B2: For comedic purposes?

    B1:  I believe so yes.   Suppose the humorous juxtaposition of our infantile selves, attempting to make use of this device creates a precious image designed to evoke a certain feeling or response towards the device itself!

    B2: But to what avail?

    B1: It’s a trick by our alien overlords to force the tall fat ones to purchase more mind control devices-therefore sealing their fate as the aliens’ oblivious but willing food supply

    B2: Oh boy.  I can see the full picture now.  Let me recap.

    B1: Sure-feel free.

    B2:  We are here?

    B1:  At some point in time-yes

    B2:  Right.  We were here, made to sit against this infinite white background together with this mind control machine, that allows aliens to feast on our blood while we sleep.

    B1:  Yep.  And then?

    B2:  Alien technology was used to somehow freeze this moment forever, so that the image it produced would encourage others to exchange currency in a free capitalist market for these machines themselves.

    B1: Yes-doesn’t it make perfect sense?

    B2:  Certainly.  So it is like the talking lizard in the advertisements?

    B1:  Well I think you are over simplifying it.  Except, WE are being exploited for sinister intentions on the basis that we are perceived as cute, next to this tool of  our own race’s destruction!  Unbelievable isn’t it?

    B2:  Wow, I you really did just blow my mind.  I have a headache and need to take a nap.  Playing Beckett is hard…Let’s do something else.

    B1:  Yeah, I’m pretty tired too.  How about we turn this baby on and look for free porn?

    B2:  Thought you’d never ask

    (Blackout)

     
    • Plagiarist LindsayNo Gravatar 11:45 am on February 4, 2010 Permalink

      B1: Nope. It’s not real. It’s some kind of internal monologue bs they made up in the 80’s for movies where babies took on the personas of grown adults for comedic effect.

      LOOK WHO’S TALKING!!!!!!!!!

      yesssssssssssssssssssssssssssssssss….

  • Plagiarist Lindsay 8:36 am on August 4, 2009 Permalink | Reply  

    A New Play Competition 

    what are these crazy kids up to?

    what are these crazy kids up to?

    take 10 paces and when I say “draw” i want you to make a short play 3-5 minutes based on this photo. Winners will get a bag of goodies (mailed to them if we don’t see them on a regular basis) and will have their play read at our September or October Salon.

    Ready, set, draw your weapons! (in this case, start typing)

    Short plays are due (and should be submitted as a comment to this photo) by August 31st.

    Babies and computers. ready set go.

     
    • Mike SemradNo Gravatar 3:14 pm on August 4, 2009 Permalink

      The Stony and Dr. Booze, by Mike Semrad
      Characters: Stony, Dr. Booze, A Voice

      (Two babies in a play area with computer monitors, and one microwave around them. Blankets and junk surround them.)

      DB: Hey, wake up.
      S: Go Away.
      DB: Wake up!!
      S: I am! Now, go away!
      DB: Mom, said you knew which one was the hot box.
      S: You mean the micro-doodle?
      DB: Yeah, yeah, whatever…
      S:(pause)it’s one of those. (points to three monitors)Now, go away. I was just a dreamin’…
      DB: Well, I’m just a starvin’ and I need to heat up my leche.(Angry)
      S: Well, try each one and see if it opens. If it does, then it’s the micro-doodle. If it doesn’t, then it’s a “puter”.
      DB: Ahhhrgh…(angry)(it opens) There we go…Thanks God!
      S: Are you makin’ any meat pies? Make me one will ya? I’m up and cranky, might as well eat somethin’ now. Way to go DOC!!(sarcastic)
      DB: You know what, I’m gettin’ sick and tired of looking after you, man. All you do is sleep, shit, and beg me for food. You know how to work this hot-box too ya’ know. Ever since the “higher ups” got that damn new box of fun, we became like an “old diaper”. Well, isn’t that somethin’? You have twins and move on to the next form of human stimulus. Well for me personally, I can’t wait to get outta’ this shit catcher and walk outta this place. Fella needs to live damnit, and this ain’t livin’!!
      S: I agree. Can I have that meat pie?
      DB: Here.(Throws him a hot one) I mean look at em. (talking about a Wii) Socializing, drinking, eating, and movin’ their arms around in front of a puter screen screamin’ as if they’re dying every 5 seconds. I can’t take it. What if something really is wrong? How are we supposed decipher the panic?!!! This is bullocks! (Pause)That means “balls” in England…I guess. Over heard Dad the other day on the phone.
      S: This is Balls?
      DB: Yeah sort of.
      S: How?
      DB: Well…Let’s say u fart, but it’s really Poo. You gamble and lose, my friend. Now, that’s balls. Poopy balls. Maybe that’s what they mean. It’s all poopy balls to them. I mean, we just say things “SUCK!” Completely different.
      S: Interesting. This meat pie is really good, huh?
      DB: Yes. Thank God, I was starving. Jesus! (Pause)
      S: Oh, look who’s comin’. The “Higher-ups”.
      DB: Oh my GOD!!! Oh my GOD!! Away with the meat pie Stony! Put it Away!! Hide it for later!!!
      S:(struggles for last bite) One more bite, one more..(hides it)
      DB: (crying) Ahhhh, Ahhh, Mama….Mama…Upy!!! Uuuupy!
      S:Me Upy too!

      (A voice over a loud speaker) Voice: I’m so excited for them to start talking. Then we might be able to tell them apart. Anyway, I got next game on the Wii!!!!

      (The two babies sit up and look at each other, Lights out.)

    • Plagiarist GregoryNo Gravatar 1:50 pm on August 26, 2009 Permalink

      Two Babies With An Old Ass Computer in a Plain White Room

      A brief play by Sean Mallary

      The scene:
      A well lit, plain white room. Mid Day. On the floor is a white sheet, or possibly a white plastic drop cloth in the case of accidental urination. An old Apple 2e desktop computer sits in the middle of the room. Two babies, dressed only in Huggies brand disposable diapers sit near this machine.

      Characters:
      Baby #1 (B1): Male. Less than 2 years of age. Pale skin, thick with baby fat around the middle. Light colored hair with very early signs of male pattern baldness. The elder of the two, and somewhat of an intellectual with great working knowledge of the world around him.

      Baby #2 (B2): Male. Also less than 2 years of age. Pale skin, blotches of pink coloration around his face and chest with an athletic build. Dark hair that is kept cut short for a just got out of bed look. The younger of the two-with a curious nature, quite gullible and susceptible to outside influences.

      A note from the “playwright”:
      The dynamic of the two characters falls somewhere between Laurel & Hardy and Pinky & the Brain. The pace should be quick, with few dramatic pauses, unless deemed necessary. This is a rather serious piece that must not be played for cuteness, slapstick or cheap laughs. The babies are meant to be played by lifelike, fully animatronic puppets. Failing that, real babies can be used if made to look like they are speaking, not unlike the old TV show Mr. Ed. Failing that, two grown actors in diapers is acceptable, as long as they are entirely free of body hair, tattoos other physical blemishes. This should only be done as a last resort. Ideally the dialect should be upper class British for baby #1, and poorly performed cockney for baby # 2, but this is not mandatory.

      (Lights up)

      B1: Psst. Hey you. Kid.
      B2: Huh?
      B1: Hey. Are you deaf?
      B2: I don’t know.
      B1: I’ll take that as a maybe.
      B2: Did you just talk to me?
      B1: Of course not. We are only toddlers.
      B2: But I heard you.
      B1: No you didn’t. You just think you heard me.
      B2: No. I’m pretty sure I heard you. Then you talked again, then I talked, so that means we can both talk and hear each other.
      B1: Can’t say I follow your logic. Anyway, it’s impossible-we haven’t developed those skills yet.
      B2: Then how are we communicating?
      B1: Depends on what you consider communication.
      B2: I believe it’s the imparting or interchange of thoughts, opinions, or information by speech, writing, or signs.
      B1: Never heard of it. There’s absolutely no speaking involved.
      B2: That’s absurd.
      B1: Not really.
      B2: How do you explain the dialogue we’ve been having?
      B1: Nope. It’s not real. It’s some kind of internal monologue bs they made up in the 80’s for movies where babies took on the personas of grown adults for comedic effect.
      B2: So basically it’s a story telling mechanism that imposes sophisticated themes and concepts on to characters (ie-babies) whom could not possibly conceive those notions on their own?
      B1: Sure. That’s the gist.
      B2: So it’s like when they make a lizard talk to sell various goods and services?
      B1: That’s something different, but the idea is the same.
      B2: I see. So in our minds we can speak?
      B1: Sure
      B2: The tall fat ones can’t hear us?
      B1: I don’t think so. It just sounds like Chinese or something to them.
      B2: Interesting. I’m Blayne, btw.
      B1: BTW? What’s that?
      B2: Sorry. I meant, by the way.
      B1: I’m Mark. You use the phrase LOL and I swear to god I’m going to smack you in the face with my pudgy little hand
      B2: Ok ok…Nice to meet you.
      B1: Yeah. Ditto. What kind of moniker is Blayne?
      B2: What do you mean? I think it finds its roots in the Celtic term…
      B1: No, it’s not a proper name.
      B2: It’s not?
      B1: No, it’s one of those new fake names that the tall fat ones make up to feel superior about their offspring. I bet it’s spelled strangely too
      B2: How should I know? It’s not like I can read!
      B1: Probably the name of some Hollywood twink of the week. I’m so sick of parents today.
      B2: Parent
      B1: How’s that?
      B2: You said parents. For me it’s just parent. Single. Only mommy.
      B1: Oh I get it. A bastard ay?
      B2: If you must be so common. Yes, father made his, uh, contribution and then left the picture.
      B1: Wow are you in trouble.
      B2: Huh?
      B1: A crappy name. No dominant male presence in your household. The numbers are not in your favor my friend.
      B2: Numbers?
      B1: Mathematical objects used in counting and measuring.
      B2: Oh, I see. And they’re against me?
      B1: I’m afraid so. Statistics show that young males that grow up without a father figure are ten times more likely to fail out of school, sell drugs and commit hate crimes.
      B2: I had no idea. How about you, how do you fair?
      B1: Good Christian name. Two parents-both employed. I’m set for the white, middle class dream.
      B2: I would say so
      B1: Well maybe there’s hope for you yet. Are you on the sauce?
      B2: I beg your pardon?
      B1: You know. The sauce? The pale horse?
      B2: Uh, no
      B1: The good stuff? The nectar of the gods? The white river of life?
      B2: Oh, you mean milk?
      B1: Well yes, if you insist on being crass.
      B2: Of course I drink milk.
      B1: But what’s the source?
      B2: How am I to know? I take a bottle four times a day, sometimes five depending on the humidity levels…
      B1: Hold on there. A bottle? You don’t get it from the tap?
      B2: What do you mean the tap?
      B1: The tap!? The fountains of youth? The, uh, mammary glands of your birth mother? Her breasts man-where milk is made!
      B2: That’s disgusting! I’m a strict vegan. I don’t eat dairy. Just soy
      B1: Wow. You really are in trouble buddy. It looks like you are going to be gay too.
      B2: I find that very offensive!
      B1: Well I’m sorry. The numbers don’t lie. Stats show that something like 80% of guys that don’t drink mother’s milk as infants turn out as homosexuals.
      B2: Can we please discuss something else?
      B1: Fine. Suite yourself, but you are living in a state of denial.
      B2: Change of topic.
      B1: What do you have in mind?
      B2: Well, where are we?
      B1: Right here.
      B2: Obviously
      B1: Is it-are you sure?
      B2: I think so, yes
      B1: I don’t know if I can believe a kid that’s not on the sauce?
      B2: Please don’t be so crude!
      B1: Ok then
      B2: So we are here?
      B1: If you say so
      B2: But where is that? There don’t seem to be any visual cues to suggest that we are anywhere at all.
      B1: A valid point. Now that you mention it. Just this infinite white background.
      B2: It does seem infinite. Maybe we are in a cloud
      B1: I don’t think so. A cloud wouldn’t have the density to support our weight, even though we are quite small for our species.
      B2: Right. Speaking of species. I don’t see anyone else around.
      B1: Exactly.
      B2: What is?
      B1: We’ve clearly been left alone. No sane adult would leave two babies un-attended, trapped in an infinite white abyss.
      B2: I hope not. But at least they left us this thing.
      B1: I wouldn’t touch that if I were you.
      B2: Why is there meat in it?
      B1: Don’t be ridiculous!
      B2: Well, what is it then?
      B1: I’ve been working on a theory about that
      B2: I’m listening
      B1: I don’t know. It might blow your tiny mind.
      B2: I can handle it. I just turned 14 months
      B1: Alright, but you can’t tell anyone
      B2: How? In my special Chinese sounding baby language? There’s no one else here
      B1: Well played. Ok-here goes. I think it’s an ancient alien technology left here to control human civilizations remotely from a far away galaxy.
      B2: And?
      B1: That’s it
      B2: Right. I want to touch it!
      B1: No-don’t!
      B2: Too late. How can you justify your theory?
      B1: I can’t
      B2: You can’t?
      B1: Nope. Just what I believe.
      B2: I call bull shit!
      B1: Oh come on! What else could it possibly be?
      B2: Lots of things
      B1: Such as?
      B2: Well let’s see…A time machine, perhaps a masturbatory aid, or some type of crop harvester
      B1: No-I don’t buy any of that! I’m telling you it’s an extraterrestrial mind control device
      B2: What makes you so sure?
      B1: Have you ever seen adults with these things. They are everywhere. All different sizes. But get this-the shape is always the same
      B2: The shape?
      B1: Yes-it’s always a light emitting rectangle that produces images for communication and entertainment. Very complex-no way humans could have created this…
      B2: I’m beginning to see where you are coming from.
      B1: Finally.
      B2: So where do the aliens come in?
      B1: They get humans addicted to the glowing rectangles, then make it so we can’t live without them. Then-they come down and drink our blood when we are asleep.
      B2: Oh, I get it now.
      B1: I thought you might
      B2: My query than is what is this one doing in here with us? Two babies in an infinite white abyss?
      B1: Ah ha! Now we are getting somewhere
      B2: We are? But we’re still here then?
      B1: Well it is possible that at least once, we where here but not anymore.
      B2: Explain
      B1: It all fits into another theory I’ve been contemplating lately
      B2: Alright. Shoot
      B1: Ok…So here we are with a complex device that doesn’t belong here
      B2: It doesn’t?
      B1: No more than the infinite white background.
      B2: Touché
      B1: I mean think about it. We’re both less than 2 years old.
      B2: 14 months
      B1: 19 for me. But what I’m saying is they’re trying to get us hooked early you see
      B2: Who are?
      B1: The aliens!
      B2: Right
      B1: But the thing is, we’ve not yet developed the brain function, nor the motor skills necessary to the device’s operation!
      B2: Well that is quite ironic!
      B1: My point exactly! Our mere proximity to this machine is intended to be humorous, a total fallacy. Which, seems to be why we are here!
      B2: But not now?
      B1: Yes. But perhaps we were at one time
      B2: That’s the part I don’t get. Everything else makes complete sense.
      B1: Clearly, our likenesses have somehow been captured in still life, here against this infinite white background.
      B2: For comedic purposes?
      B1: I believe so yes. Suppose the humorous juxtaposition of our infantile selves, attempting to make use of this device creates a precious image designed to evoke a certain feeling or response towards the device itself!
      B2: But to what avail?
      B1: It’s a trick by our alien overlords to force the tall fat ones to purchase more mind control devices-therefore sealing their fate as the aliens’ oblivious but willing food supply
      B2: Oh boy. I can see the full picture now. Let me recap.
      B1: Sure-feel free.
      B2: We are here?
      B1: At some point in time-yes
      B2: Right. We were here, made to sit against this infinite white background together with this mind control machine, that allows aliens to feast on our blood while we sleep.
      B1: Yep. And then?
      B2: Alien technology was used to somehow freeze this moment forever, so that the image it produced would encourage others to exchange currency in a free capitalist market for these machines themselves.
      B1: Yes-doesn’t it make perfect sense?
      B2: Certainly. So it is like the talking lizard in the advertisements?
      B1: Well I think you are over simplifying it. Except, WE are being exploited for sinister intentions on the basis that we are perceived as cute, next to this tool of our own race’s destruction! Unbelievable isn’t it?
      B2: Wow, I you really did just blow my mind. I have a headache and need to take a nap. Playing Beckett is hard…Let’s do something else.
      B1: Yeah, I’m pretty tired too. How about we turn this baby on and look for free porn?
      B2: Thought you’d never ask
      (Blackout)

  • Plagiarist Katie 2:12 pm on June 3, 2009 Permalink | Reply  

    Play competition II 

    The Plagiarists SECOND EVER play competition!

    Quick write a short play (10 minutes or less), post it on our blog and at the end of the month, we will pick our favorite!  If you win, you’ll get something nice in the mail and we’ll read your play at a Plagiarists event!

     You must follow the following rules to win:

    1.        Send your contact info to info@theplagiarists.org

    2.       The following stage directions and text MUST be used in the play somewhere:

    (Suddenly Brandy is thrown into a radical coughing fit, she spasms wildly about the space.  A cello accompanies her. She coughs and coughs while Tom breathes deep and stands on a chair and watches intently. She coughs and coughs and coughs -finally grabbing for Tom, she falls to her knees)

    TOM and BRANDY: We are so poor! We only know our faces. Behind our eyes is a cobwebby playground. Behind what we think we want is what we need. Our bodies have a language, but our brains never speak. Our bodies are buttered toast. Our brains are veal. Vacant stares with tongues for emphasis.

    All right!  DON’T THINK! Just write it.Love,The Plagiarists.

     
    • W. T. McCoyNo Gravatar 5:05 pm on June 6, 2009 Permalink

      DIVINE INTERVENTION AND SMALL TALK IN A FREE CLINIC

      ( TOM and a pot bellied BRANDY sit hand in hand, waiting for their names to be called in a free clinic. HONKERS THE CLOWN enters and signs his name at the reception desk. He finds the row of seats opposite Tom and Brandy, sits, finds a “Highlights” magazine and buries his face in it. After a few long beats he feels the weight of Tom and Brandy’s stares.)
      HONKERS
      Something I can help you with?
      TOM
      Are you some kind of clown?
      HONKERS
      Well-if I were filling out a loan application, I suppose I would have to write down Hooter’s waitress for my profession, but as it happens I just joined a dinner theater troupe and we’re doing “The Life and Times of John Wayne Gacy”, so…
      TOM
      Hmm.
      HONKERS
      Yeah-I’m very method.
      ( Honkers returns his attention to his magazine as Brandy and Tom exchange whispers.)
      TOM
      Excuse me, my fiance’ seems to think you were being sarcastic.
      HONKERS
      Looks like you got a keeper on your hands.
      TOM
      So you were being sarcastic?
      HONKERS
      Yes-yes I was.
      TOM
      Why?
      HONKERS
      Why?
      TOM
      Yes, friend. Why the sarcasm?
      HONKERS
      You’re serious? Let’s see friend-o, I don’t know. Maybe because it’s obvious I’m a fucking clown and I don’t do small talk at the free clinic.
      BRANDY
      And you are in costume because…
      HONKERS
      My results are back and this is the only time between birthday parties I have to get them.
      BRANDY
      There it is.
      HONKERS
      Good enough? Great. Good. Okay then.
      ( Honkers hides in his “Highlights”. The couple go back to whispers. Slowly the curiosity consumes Honkers and he can’t help himself…)
      HONKERS
      What are you having?
      BRANDY
      How’s that?
      HONKERS
      The baby?
      BRANDY
      What baby?
      HONKERS
      (burying himself back in the magazine)
      No baby. Never mind.
      TOM
      Wait a minute. Was that some kind of crack on my fiance’s figure?
      HONKERS
      Just a mistake man, my bad.
      TOM
      My bad? No sir, I demand an apology or this matter may come to fisticuffs!
      BRANDY
      Please sit down Tom.
      HONKERS
      Fisticuffs? Okay buddy, you can sit back down. I apologize.
      TOM
      Her name is Brandy.
      HONKERS
      Okay fine. I am sorry Brandy.
      BRANDY
      Apology accepted. Please Tom, sit.
      HONKERS
      Yes Tom, please sit.
      ( Honkers stands up-tries to move away from them.)
      TOM
      Perhaps I over reacted.
      HONKERS
      No problem.
      TOM
      My blood is up. You see my beloved is not well…she had this coughing fit and a flood of water just shot out of her…
      BRANDY
      Tom! He doesn’t care.
      (SUDDENLY BRANDY IS THROWN INTO A RADICAL COUGHING FIT, SHE SPASMS WILDLY ABOUT THE SPACE. A CELLO ACCOMPANIES HER. SHE COUGHS AND COUGHS WHILE TOM BREATHES DEEP AND STANDS ON A CHAIR AND WATCHES INTENTLY. SHE COUGHS AND COUGHS AND COUGHS -FINALLY GRABBING FOR TOM, SHE FALLS TO HER KNEES)
      HONKERS
      Are you okay?
      TOM
      Stand back friend I believe she is possessed. Since the other coughing fit, she has writhed with pain in her belly. I think it’s a demon. We should have never turned our back on God.
      HONKERS
      The other coughing fit? Where water flooded out of her…
      TOM
      The very one.
      HONKERS
      I don’t know how to tell you this buddy, but I think she is in labor.
      TOM
      No. This is our punishment. We should have gone to temple.
      ( the sound of a baby crying )
      HONKERS
      Tom, I think she just gave birth.
      ( Brandy peaks under her skirt. She comes up pale faced.)
      BRANDY
      That’s never happened before.
      TOM
      Is there something beneath your skirt?
      BRANDY
      That is a completely indecent question.
      HONKERS
      Miss, I think we might have a situation here.
      ( The RECEPTIONIST on the phone puts a finger up. )
      TOM
      Is there a babe beneath your frock?
      BRANDY
      Oh sweet Tom-I believe I have been blessed by the second coming.
      HONKERS
      Can I just ask something?
      TOM
      Shoot.
      HONKERS
      Where the hell are you people from?
      TOM
      I’m from Pennsylvania, she is from Texas. It doesn’t make sense. The second coming of our lord should be from the Holy land.
      HONKERS
      No. How the hell did you two meet?
      BRANDY
      Tom spirited me away from this awful polygamist sect on his devil night.
      HONKERS
      Devil night?
      BRANDY
      When he left the Amish.
      TOM
      May I see the babe.
      BRANDY
      Tom you should know better then that. I can not put our lord on display before the unclean.
      TOM
      Excuse me clown. Please avert your gaze. I wish to look upon my lord and savior.
      HONKERS
      You’re serious?
      BRANDY
      I assume you are not here because one of your self flagellation scars are infected?
      HONKERS
      No. I banged a few underage chicks and now it burns when I pee.
      TOM
      Precisely.
      HONKERS
      (turns away)
      Whatever.
      ( Tom peaks beneath her skirt. )
      TOM
      I do declare, our lord has…has an awful dark complexion.
      RECEPTIONIST
      What did you need hon?
      HONKERS
      Joseph and Mary just delivered a baby in your lobby.
      RECEPTIONIST
      (bursts into laughter)
      Wait. You’re not kidding? Oh Christ, not again.
      ( The Receptionist rushes to the back of the clinic exiting out of sight. )
      HONKERS
      No one else you know might have mentioned she could be pregnant?
      TOM
      No, Monsignor Jackson, has held the women under a silence oath for…well it’s almost nine months now.
      HONKERS
      Monsignor Jackson?
      TOM
      The great prophet in our commune of the Holy Light and Trinity.
      HONKERS
      So you left a polygamist sect and you left the Amish to join a cult?
      TOM
      It’s not a cult, I will not have you defame my religion in the face of our God.
      HONKERS
      Just one more question. Monsignor Jackson a black dude?
      BRANDY
      In the commune of Holy Light and Trinity we see no color.
      HONKERS
      So that’s a…
      TOM
      Yeah, he’s black.
      ( A NURSE opens the door and reads from the sign up sheet.)
      NURSE
      Honkers.
      HONKERS
      (retreating back with the nurse)
      I’m out. Nurse, you did know there’s a baby under her skirt right?
      NURSE
      Our chief physician is on the phone with our lawyers right now trying to figure out what to do.
      HONKERS
      Lawyers.
      NURSE
      Hey the first time a twelve year old girl waits in your lobby for a couple of hours and ends up giving birth and you accidentally drop the baby I don’t know, maybe a couple of times…
      HONKERS
      A couple of times?
      NURSE
      You got pepperoni dick I can help you out. I’m a registered nurse for Christ sake, what makes you think I am trained in handling infants.
      HONKERS
      Really?
      NURSE
      Come on, newborns are damn slippery. So don’t tell me you’re not calling your lawyer the next time some woman delivers in your lobby.
      ( Honkers and the Nurse exit. Tom and Brandy. )
      TOM
      Are you okay? Perhaps I can see if they will tend to you while they are talking to their lawyers.
      BRANDY
      I’m fine. I’m just taking in this magnificent moment. Do you remember the first time we met? I was getting milk at the market. My 83 year old arranged marriage husband had a stroke and the elders were tending to him, and you saw me there. In the confusion you held out your hand and said “come with me if you want to live”, just so romantic-and I did. Then you threw me on the back of your bike and told me to hold on tight, and never let go Rose, and I still don’t know who Rose is, but I was fifteen and you seem to know just the words to soil my pantaloons. And then after the Amber Alert died down and we could come out in the open, how we would stare out into the ocean, destroyed on shrooms and screaming…
      TOM AND BRANDY: …WE ARE SO POOR! WE ONLY KNOW OUR FACES. BEHIND OUR EYES IS A COBWEBBY PLAYGROUND. BEHIND WHAT WE THINK WE WANT IS WHAT WE NEED. OUR BODIES HAVE A LANGUAGE, BUT OUR BRAINS NEVER SPEAK. OUR BODIES ARE BUTTERED TOAST. OUR BRAINS ARE VEAL. VACANT STARES WITH TONGUES FOR EMPHASIS.
      TOM
      We were so carefree then.
      BRANDY
      Seems like yesterday. Where does the time go. One day you’re arguing with the ocean, the next you’re the parents of the new messiah.
      TOM
      Oh yeah, life goes on, long after the thrill of living is gone.
      BRANDY
      God bless your poets tongue. I hope that is a gift you can teach this young one. Where do you get it from?
      TOM
      I don’t know. Just blessed I guess. So what do you think you will name him. Jesus II?
      BRANDY
      I don’t know. I always thought Honkers had a nice ring to it.
      FADE OUT.
      Pool of light up HONKERS JACKSON, a 55 year old weathered African American man.
      HONKERS
      Hello. I am Honkers Jackson. And I was that savior born in the waiting room of that free clinic on that warm summer evening. Soon after my mother would blog that I was the savior returned to Earth and many did flock to see me and bestow upon our family great and wondrous gifts. Then the Vatican demanded a paternity test and as the story goes, I was not the son of God but one Monsignor, Clarence Jackson-the head of the cult known as the Holy Light and Trinity commune. Judging by my 59 half brothers and sisters, I think it’s safe to say my father banged every woman in that cult. I share the tale of my life with you not out of some horrible cry for help, but to warn you of an ever growing epidemic plaguing our society. Stupid people are fucking at a horrific rate and thanks to warning labels on everything from coffee to bicycle helmets, their offspring are not dying off in the Darwinian fashion nature had intended. And as the world fills up with Right wing radio hosts and VH1 reality show contestants the gene pool of fairly competent people is growing ever shallower. So next time you’re at that party and you see that fine honey has had a little too much to drink. Ask her if she’s ever watched “Rock of Love” or “The Hills”. If she answers yes, then you must ask yourself-if I don’t pull out fast enough, can this world afford another dumb bastard? And I extend the same question to you ladies. The next time you got a charmer with the six pack abs and the douchebag fake tussled hair with product look going down, and he can’t list any President before Obama, but he can tell you who won the Lakers game last night, you may encourage him to take more steroids until his nuts don’t work no more, but please, please-don’t forget your pill that night. I am Honkers Jackson and I beg you please, if you know a stupid person. Don’t fuck them. Thank you and good night.
      FADE OUT.
      THE END.

    • S. SchmeitsNo Gravatar 9:35 am on June 8, 2009 Permalink

      Tuesday, with Poptarts

      (Very early morning. Semi-darkness. Tom, in disheveled office clothes, enters the kitchen. He is, at best, not a morning person, at worst, moderately hungover. Brandy, in a nightshirt, sits at the table, staring silently into a candle, looking slightly defeated or desperate. Tom does not see her, walks right past her, begins making coffee.)

      BRANDY: Behind our eyes is a cobwebby playground.

      TOM: (Startled. Flailing. Spilling coffee grounds.) Whaaa! Holy Jesus… mother of God… Brandy… I… What the… Oh, shit…

      BRANDY: (Oblivious. Sounding out the words.) Behind our eyes is a cobwebby playground.

      (Tom resumes making coffee.)

      BRANDY: Behind our eyes is a cobwebby playground.

      TOM: Are you?… I mean, is there… any… or…

      BRANDY: (Noticing Tom for the first time.) What would it mean to you if I said, “Behind our eyes is a cobwebby playground?”

      TOM: You mean… right now?

      BRANDY: Behind our eyes is a cobwebby playground.

      TOM: Okay… You mean… in the kitchen?

      BRANDY: (Passionately. Advancing on Tom.) We are so poor! We only know our faces. Behind our eyes is a cobwebby playground. Behind what we think we want is what we need. Our bodies have a language, but our brains never speak. Our bodies are buttered toast. Our brains are veal. Vacant stares with tongues for emphasis. (She collapses at his feet, weeping.)

      TOM: Oh… I… um…

      (She hands him a slip of paper.)

      TOM: (reading) “We are so poor! We only know our faces. Behind our eyes is a cobwebby playground.” Is this… what… is this Yeats? Did you write this?

      BRANDY: (Clutching his pants.) YES!

      TOM: Oh… um… it’s very nice, very… moving… I… Are you drunk?

      BRANDY: NO!

      TOM: (Lifting her up. Moving her to a chair.) Okay… I’m sorry, Sweetie. I’m just… it’s very… Tuesday. Is this part of your yoga, or something?

      BRANDY: NO!

      TOM: Okay. We’ll let’s just… and have coffee… and think about the…

      BRANDY: (Again, speaking to the candle.) Behind what we think is what we need.

      TOM: Certainly, that’s true…

      BRANDY: Our bodies have a language, but our brains never speak.

      TOM: Have you been up all night?

      BRANDY: OUR BODIES ARE BUTTERED TOAST! (Collapsing again to the floor.)

      SARAH: (Shouting from offstage.) I don’t want toast! Or eggs! I want Poptarts!

      BRANDY: (Weeping. A quiet, pathetic squeak.) Our brains are veal.

      TOM: Honey! You know that Poptarts are for weekends! It’s Tuesday!

      SARAH: (Off.) But I’ve got a recital today! So it’s a Special Day! I want Poptarts!

      BRANDY: Our brains are veal.

      TOM: Oh, god… okay!… alright! Brandy, Sweetie, is there something I can do for you… get for you? Look, how about I help you up? Here…

      BRANDY: (Whispering, pulling him down.) We only know our faces. We only know our faces. We only know our faces.

      TOM: It’s Tuesday.

      BRANDY: We only know our faces!

      TOM: Do I need to call you in sick? Look… Sweetie… you’re pinning me… I can’t get up…

      BRANDY: We are sooooo poor. We are so, so, so poor.

      TOM: Brandy, really… I’m about to be promoted… Look I can’t move my…

      BRANDY: So poor. Vacant stares. With tongues…

      (From offstage comes the sound of an amateur cellist warming up.)

      BRANDY: (Quietly, a sort of mantra now, she overlaps the following exchange.) With tongues… With tongues…

      TOM: Sarah! Sarah, Honey! Not now, please! Can mommy and daddy just have a… Brandy! Ouch. Please, what the hell is going on? A little silence, Honey!

      (Cello stops.)

      SARAH: (Off.) I have to practice! It’s a recital day!

      (Cello resumes.)

      TOM: Brandy, please, what is going on? Ouch. Let me go. Brandy. Please! What. Is. Going. On?

      BRANDY: (Coming to. Moving off and away from him.) Oh. Sorry. Sorry, Darling. I just… (weeping) I don’t know.

      TOM: Is it something about this poem? Is there… Is it… When did you write it?

      BRANDY: Last night!

      TOM: You… You wrote a poem last night?

      BRANDY: It’s not a poem!

      TOM: Oh… a bit of prose? You were up all last night on a Tuesday writing prose?… Is this a…

      BRANDY: I don’t know what it is. I had a dream. At about 1:27 last night. In the dream I was dancing and crying. And you were there, but you couldn’t see me, or hear me. You were standing on top of a playground in a cape with a crown, in the mist, like King Arthur. And there was this beautiful, haunting blue light that seemed to come from all around, from everything and from all directions and it was so warm and so safe. So safe. And I was, like, floating on this light and dancing with an invisible partner. It was so, so beautiful. And quiet. Impossibly quiet—except for this tiny song. A single melody line somewhere far below us, swirling in the blue light, almost inaudible, just loud enough for us to know that it was a song and that our dancing was justified. That no matter what, we were justified. And it was okay. It was all okay. And then… then there were these trumpets and these stones and these emaciated cows protesting the song and the invisible guy was really Charlie Willis from third grade and he picked his nose and we were all late for breakfast and I couldn’t butter the toast… (She is lost in weeping again.)

      TOM: So this… bit of prose… this is your dream?

      BRANDY: NO! (Between sobs.) It was the… what I wrote… I came to the kitchen… And I needed it… I needed to…

      TOM: Calm down, calm down. (Slowly, she does.) That’s better. Here. Here’s some coffee. It’s alright. Now, what is it you’re trying to tell me? Just take a deep breath and… tell me.

      BRANDY: I. Don’t. Know! (Weeping again.)

      (Cello stops.)

      SARAH: (Off.) Are my Poptarts ready?

      TOM: They will be in a few minutes!

      SARAH: (Off.) Okay!

      (Cello resumes.)

      TOM: (Putting Poptarts in the toaster.) So this was just something you felt you needed to write at 1:27 in the morning. On Tuesday. I understand that. You don’t need to explain. Maybe it’s best if we just put it away and discuss it later… this evening…

      BRANDY: I want to explain it now. Now, now, while I still understand it, but I can’t say it. I want to share it with you. Right now. Really share it with you. Not just the words, but the meaning. The meaning. Not with vacant stares and tongues, but really, really. With our bodies!

      TOM: Okay… alright… how do you propose…

      BRANDY: (Suddenly inspired.) Here. Stand on this chair.

      TOM: Oh. Stand on the chair?

      BRANDY: Please. I don’t know why. I just know it will help explain. I just do, I just do, Okay? Stand on the chair!

      (Tom stands on the chair in the middle of the room. Through the next speech Brandy hurriedly finds more candles and some incense in a drawer and lights them off the first candle and places them below Tom.)

      BRANDY: Close your eyes and take a deep breath. Okay. Center yourself. Now, I want you to look at the candles and concentrate on their light. Take very deep breaths, like this. Good. Look right into the candle flames, let them burn deep into your brain. (SARAH finishes her warm-up and begins to play her recital piece.) Oh, that’s perfect! Isn’t that perfect? Good job, Honey! Now, I want you to smell the smoke and feel it. Listen to Sarah’s song. Let it fill you up. Imagine that you are floating on it. Listen to that song and feel yourself dancing in space. Sway a little. Now, with the voice of the most scared little child deep down inside you I want you to read my poem.

      TOM: It is a poem?

      BRANDY: Read it!

      TOM: We are so poor! We only know our faces.

      BRANDY: Read it slower. Much slower. Hear every word. Feel it. FEEL IT.

      TOM: We are so poor! We only know our faces.

      BRANDY: Yes. (She begins circling TOM.)

      TOM: Behind our eyes is a cobwebby playground.

      BRANDY: Don’t you see, now, how true that is?

      TOM: Behind what we think we want is what we need.

      BRANDY: Yes. YES!

      TOM: (Growing more confident.) Our bodies have a language, but our brains never speak.

      BRANDY: Let your body speak! Let it speak! (She kneels in front of him, undulating.)

      TOM: Our bodies are buttered toast.

      BRANDY: They are! They are!

      TOM: Our brains are veal.

      BRANDY: Teach me! Teach me all that you know!

      TOM: (He has reached a sort of ecstasy.) Vacant stares with tongues for emphasis.

      (Suddenly Brandy is thrown into a radical coughing fit, she spasms wildly about the space. A cello accompanies her. She coughs and coughs while Tom breathes deep and stands on a chair and watches intently. She coughs and coughs and coughs – finally grabbing for Tom, she falls to her knees. They look deep into one another’s eyes, and begin to speak in unison, and weep. The poem, prose, poem becomes a mournful mantra as they both slide down into a fetal position.)

      TOM and BRANDY: We are so poor! We only know our faces. Behind our eyes is a cobwebby playground. Behind what we think we want is what we need. Our bodies have a language (SARAH enters, flipping on the light, and sprints for the toaster, pulling out her Poptarts and slapping them on a plate before noticing her parents.), but our brains never speak. Our bodies are buttered toast. Our brains are veal. Vacant stares with tongues for emphasis.

      SARAH: Oh, crap.

      END

  • Plagiarist Lindsay 10:18 am on January 22, 2009 Permalink | Reply  

    I propose: A PLAY COMPETITION. 

    take 10 paces and when I say “draw” i want you to make a short play 3-5 minutes based on this photo. Winners will get something awesome and will have written a really rad play. 

    Ready, set, draw your weapons! (in this case, start typing)

    Short plays are due (and should be submitted as a comment to this photo) by January 28th.

    becca-and-sister.jpg

     
    • Plagiarist GregoryNo Gravatar 12:41 pm on January 22, 2009 Permalink

      Obviously, as a Plagiarist I’m ineligible to win, but I couldn’t resist writing something:

      Somewhere In Time II

      (STELLA is on the left, DRELLA on the right.)

      STELLA: My signaller just went off. The time machine is ready. Let’s hop in and head to civilization. These primitve yokels are cramping my style.

      DRELLA: Go ahead. I’ll stay here.

      STELLA: You have to come with me, back to the future. Back to strip malls and superhighways. The villagers will be here any minute and they’ll burn us at the stake! They have pitchforks! I always thought that was just a myth, but they actually bring them!

      DRELLA: I don’t care. It’s what I deserve, for what we’ve done. For the things we’ve done four times already today, five times yesterday, and I really lost count the day before. Queen Victoria would disapprove.

      STELLA: We’re not witches, Drella.

      DRELLA: No, but we dare to feel the love that dare not speak its name. We’ve felt it so much I’m a little sore.

      STELLA: I dare, Drella. I dare to speak its name. I love you, Drella. I traveled throught time back to this insufferably stuffy era to be with you and now you’re telling me it can never be. I gave up pants for you! Do you even know how uncomfortable a corset is? …. Of course you do. Look, just grab your bag and your parasol and let’s go.

      DRELLA: What hope is there for us, now or ever?

      STELLA: It’s all diffferent in the future, Drella. It’s okay for people who love each other to be together, no matter what their gender!

      DRELLA: You mean, you mean, we could get married?

      STELLA; Well, no, not… I mean in some places yes, but in other places, no.

      DRELLA: What does that mean?

      STELLA: It’s time travel, baby. It’s complicated. But there’ll never be time for me to explain it to you unless you come with me now.

      (Sounds of angry shouting outside.)

      STELLA: They’re here, babycakes. It’s now or never. Or it’s then or nothing. Or something. Believe in love and a better future.

      DRELLA: They can really make my teeth look like yours, without pain.

      STELLA: Baby, dentistry in the future is like the difference between a club and a rifle.

      DRELLA: All right. I’ll come with you.

      (They exit together. We hear the time machine go and the sounds of the crowd breaking in as the lights go down.)

      THE END

    • Brendo the TallNo Gravatar 4:23 pm on January 22, 2009 Permalink

      So, it should be like a caption to the photo, the play? And is the one on Facebook a different play for a different picture (Shakespeare)? And… ummm… yeah… I thought there was more, but there wasn’t… so, I should probably stop typing now… but it’s become a sort of compulsion at this point and as much as I raise my right eyebrow in defiance I can’t seem to st -

      Ah, there. A slap to the face works everytime. :)

    • Eric SalonisNo Gravatar 12:51 am on January 23, 2009 Permalink

      I really don’t know what the hell this is supposed to be. It’s late, I’m exhausted, but I thought I’d give it a whirl, which is a dangerous thing, when I’m sleepy…

      -WELCOME HOME, YOUNG MASTER TIBBITS-

      (In the middle of a golden haze, Gertha and Martrude stand, looking out. Gertha, the left one, looks out in a sort of hopeful despair. Martrude, the right one, looks on in despondent hope.

      After a moment, they turn towards each other, desperately, as if to say something of great urgency…but the moment passes, and they turn back out.

      A cricket chirps. Once.)

      GERTHA: Martrude…I must say, I find all this golden light rather ridiculous.

      MARTRUDE: Indeed. You do.

      GERTHA: How long will it last?

      MARTRUDE: You know the answer to that, full well, and it isn’t funny. It isn’t funny one bit.

      GERTHA: Don’t start. We haven’t time for this nonsense. Not when he could be here, at any given ridiculous moment.

      MARTRUDE: Is everything in order?

      GERTHA: Everything, except for this damnable golden haze.

      MARTRUDE: You did remember to set the sweet cream butter out?

      GERTHA: Yes.

      MARTRUDE: In the butter dish?

      GERTHA: Yes.

      MARTRUDE: The sweet cream butter dish?

      GERTHA: Yes!

      MARTRUDE: The GOOD sweet cream butter dish?

      GERTHA: Yes, yes, yes! It’s all laid out. Sweet cream butter, cakes, tea, hazelnut puddings, treacle puddings, pudding cream butter, it’s all there! Will you stop fretting?!

      MARTRUDE: I’m so excited!!! (she weeps)

      GERTHA: Will the lord be there, to welcome his arrival?

      MARTRUDE: (weeping) Yes, oh yes…

      GERTHA: And the Lord?

      MARTRUDE: The Lord moves in mysterious ways.

      GERTHA: So does the lord. Yesterday night, I saw him traipsing across the garden, again. He wore a cloak. It was quite mysterious, indeed.

      MARTRUDE: (uncomfortable) Oh. I see. He was…Oh, never mind. Silly.

      GERTHA: What’s this?

      MARTRUDE: Nothing. The mind wanders easily, in this golden haze.

      GERTHA: Ridiculous haze of ridiculous gold!!

      (Pause)

      GERTHA: Martrude…Do you love me?

      MARTRUDE: Oh Gertha…of course I do.

      GERTHA: Love is ridiculous. (sighs) Oh Martrude…

      MARTRUDE: Oh Gertha…

      GERTHA: (to herself) Oh Gertha…

      MARTRUDE: (to herself) Oh Martrude…

      (Pause)

      GERTHA: You know, I’ve been reading. About Heaven.

      MARTRUDE: Oh, fancy that! Heaven, indeed!

      GERTHA: There are some who believe that, when we die–

      MARTRUDE: For die, we must!

      GERTHA: –Yes, shut up–when we die, our souls must find the light to find Heaven. And we must remember what it is to love in order to find the light. Isn’t that ridiculous?

      MARTRUDE: Indeed, ridiculous!

      GERTHA: It is not!! I rather like the idea. So, just keep your mouth shut. I enjoy those books more than you’ll ever know.

      MARTRUDE: How I wish that I had something to enjoy. Perhaps an avocado, with some vinegar. But I haven’t any vinegar. Such is life.

      (Pause)

      GERTHA: WILL THIS DAMNABLE GOLDEN HAZE NEVER GO AWAY?! How are we supposed to see him, when he comes, with this garbage?! How is anyone supposed to see ANYTHING?!

      MARTRUDE: Come to think of it, I haven’t any avocados, either.

      GERTHA: What?

      MARTRUDE: Avocados.

      GERTHA: Yes, what about them?

      MARTRUDE: I haven’t.

      GERTHA: Haven’t what?

      MARTRUDE: Any.

      GERTHA: Have you checked?

      MARTRUDE: I see nothing resembling avocados, roundabouts.

      GERTHA: What about golden avocados? Everything’s gold. Look for gold.

      MARTRUDE: That’s a grand idea! Perhaps there is hope for something to enjoy!

      GERTHA: (despairingly) Everything is always…gold.

      MARTRUDE: Gertha, do you have any vinegar?

      GERTRUDE: Shut up! Don’t you understand? Don’t you see?!

      (They turn towards one another again, urgently. Gertha almost says something to Martrude…then the moment passes as Gertrude once again loses her train of though – or perhaps her nerve.)

      MARTRUDE: Wait…I broke the good sweet cream butter dish.

      GERTHA: It’s set, nonetheless.

      MARTRUDE: (sighs) Nonetheless.

      GERTHA: None. (Pause) Fucking golden haze…

      -END-

    • Greg McCainNo Gravatar 2:24 pm on January 24, 2009 Permalink

      (Lights up, IRINA and SISTER OFELIA stand center stage, the sun beaming on them from the window. They embrace and pull away from each other while giggling)

      SISTER OFELIA
      Oh Irina, I can’t believe my eyes, how long has it been, over four years?

      IRINA
      Close to Six! It was before I went away to Germany.

      SISTER OFELIA
      Six years! Six years since we left the orphanage? Have I been at this monastery for six years? Time has seemed to stand still here. You don’t look a day older than when I last saw you.

      IRINA
      I don’t know about that. So much has happened since I last saw you and I feel every bit of it in my bones. So much has changed.

      SISTER OFELIA
      You must tell me everything. The German family you worked for, and the University. Oh, and the men in Germany, is it true what they say about the german sausages?

      (They both giggle)

      IRINA
      Ofelia! You’re the one who hasn’t changed. I can’t believe you’ve taken your vows to the church and stayed here for as long as you have.

      SISTER OFELIA
      I shall say a few Hail Marys for my transgression. But this has been the greatest decision of my life. I rebelled so much at St. Malo’s orphanage. Being here has given me a sense of purpose and a real sense of family for the first time in my life.

      IRINA
      I envy you.

      SISTER OFELIA
      But I am the one who should be envious. You have traveled, seen other places. Gone to University!

      IRINA
      Well, just in Munich. I didn’t really have much time to go anywhere else.

      SISTER OFELIA
      Oh I imagine, with your University studies and working. You must be so smart by now, after 6 years, do you have a PhD yet.

      IRINA
      Hell no! Oh, sorry!

      (The both giggle)

      IRINA (cont’d)
      I was mostly working. The man that I was working for paid for my classes, but that was mainly to keep my Student Visa valid. I took German lessons and mostly general courses, I never really graduated.

      SISTER OFELIA
      What do you mean, the man you were working for? Do you not still work for him?

      IRINA
      No, I quit. That’s why I’m here.

      SISTER OFELIA
      What? Oh Irina!

      IRINA (sobbing)
      I have to make a confession. I lied to you. This is not just a visit, I’m not passing through on vacation like I told you in my letter. I have come back to Romania for good because I didn’t know where else to go. And you are the only one I could think of to turn to.(crying becomes intense) Oh Ofelia, I wish I could have such certainty about my life as you seem to. It has become so dark, so… so… unbearable! I don’t know what to do. I’m sorry I lied to you, but I have been so confused and I just… I just-

      (IRINA is uncontrollably sobbing, OFELIA holds her)

      SISTER OFELIA
      Oh, it’s okay. I’m glad you did look for me. You can stay here. I’ll talk to the Mother Superior. You didn’t really lie to me though, if you just think of this as a sort of vacation.

      IRINA
      A monastery is not exactly high on my list of vacation spots.

      (They both are able to laugh at this)

      SISTER OFELIA
      And why not? Besides electricity and indoor toilets, what do any of the resorts on the Black Sea have that we don’t?

      IRINA
      Uhhh, Hairy chested men in Speedos?

      SISTER
      Well ok, while we don’t have too many of them we do make up for it with a certain quiet simplicity. It is really quite calming here. And you do get used to the potato and radish soup. You remember how I was, especially the last year at St. Malo’s Orphanage? The prayer and contemplative life has truly calmed me.

      IRINA
      I don’t know if I can stay here. There is too much happening inside my head. If I could just rest a few days, then I will make plans. Maybe go to Bucharest. Or maybe…(heavy sigh)

      SISTER OFELIA
      Oh, Irina. Oh, you have had a long journey, you are tired. I want to hear everything that has happened to you, but first you must get some food and rest.

      IRINA
      I have been through too much. I don’t know if you want to hear it. I don’t know if I can tell you, some of it has been… (cries louder and deeper).

      SISTER OFELIA
      Irina, Irina, take it easy, you have been traveling a long time, you just need to rest. You have come to the right place for that. Just have faith that you have come to the right place.

      (Pause)

      SISTER OFELIA (cont’d)
      Oh Irina, allow the love of Christ to wash over you while you are here. You’d be surprised how forgiving he can be, as long as you are honest with yourself.

      IRINA
      I don’t know if I should stay here too long. The Lord wouldn’t be so easy to forgive my sins. I feel he has abandoned me… Oh, Ofelia, I have nightmares, but not just at night, I have them all the time, all day long, and not… I see… and hear… Ofelia, I am truly in trouble.

      SISTER OFELIA
      Shhhh, shhhh, Irina. I can see that you are so scared, but you have no reason to be frightened here. The Lord never abandons us, he is always there even when we feel the most lost. Seek refuge in the Lord’s house and he will provide comfort and guidance.

      IRINA
      You have always been a comfort to me. I can see that this has always been your true calling. I have always felt safe confiding in you and I do want to tell you everything. You have been the closest thing to family that I have ever known. I just wish I could find meaning in…

      SISTER OFELIA
      You will Sister Irina, I mean… it is such a habit, I am always around the other Sisters except at Sunday mass when the villagers attend or the occasions when we travel to the village.

      IRINA
      “Sister Irina”, I like the sound of it. Maybe I have a calling too?

      SISTER OFELIA
      You will know it when you do, it is unmistakable.

      IRINA
      I wish I had something that I could be so sure of.

      SISTER OFELIA
      You do, just follow your heart.

      (Pause)

      SISTER OFELIA (cont’d)
      Now, tell me, is the German Speedo as tight fitting as the Romanian?

      IRINA
      Hail Mary full of grace the Lord is with me….

      (They both giggle as they run off)

      Black out

    • rNickiNo Gravatar 8:20 pm on January 25, 2009 Permalink

      Talking to you feels like breathing through a wet wool scarf on a cold day.

      The truth is, I’ve been watching you go.

      The truth is, we’ve been walking away from each other for a long time.

      That doesn’t mean we can’t still be friends

      (facebook, etc, I mean)

      It just means that for my own sanity I have to walk away now.

      Right now?

      Yeah. And it’d be good for you too.

      You know who I am.

      Who told me to go off and find myself
      not that its changed much

      –See that’s just what I mean!

      What?

      Still. After all these years, you’re still in the fat and unhappy club.

      ???

      You say you’re proud and happy with who you are, but everytime we talk.

      I need a friend.

      Everytime we talk it’s this thing, that thing, complain, question whinge, you aren’t sure if you should do this, you aren’t sure if you should move to Chicago, you aren’t sure if you should call him

      Are you dumping me?

      The truth is we’ve been walking away from each other for a long time.

      I need a friend!

      You Need to get a grip on your life. I’m sorry.

      No your not.

      I am.

      Stop lying to me. That’s about the only thing I know about you anymore,

      Look–

      I can see when you’re lying, it’s in the way you clench your teeth. Talking to you is like waiting to be hit.

      You’ll feel better. Without me. Without us. You’ll Do Great Things, you’ll see.

      So then, if you’re feeling lazy, well all right then, I guess I’ll let you go, let you ditch that baggage (me) and you can go off feeling good about yourself, washing your hands, saying I did the best I could.

      (we’ve just, you know, grown apart)

      Saying She’ll Do Great Things. She doesn’t Need to do Great Things, she needs a friend. I don’t need a fucking intervention, I just need a shoulder right now. I’m twenty-three years old, I’m about to graduate college, my father’s just died,

      (it happens)

      and you think I’ve got no right to be unhappy and uncertain?

      Well, all right then.
      Well, all right then. By all means.

      Be my guest.

      You just stand right here and watch me walk away from you.

      (With apologees to Leonard Cohen, I think. Also, if I can say this without sounding too full of myself, some of the formatting doesn’t come out in the comments so, er. Yeah. if you like this, let me email you it in a word format, pleez. For proper punctuation and enunciations, kthx. yr humble & ob’t nicki)

  • Plagiarist Turner 9:41 am on December 16, 2008 Permalink | Reply  

    Another play 

    We see a computer or piece of paper and pencil down stage left and a blank stage.  A person walks in and stands, then notices the paper and pencil.  They begin to write and what they write appears on stage.)

    From paper:  A man and woman enter.(a man and woman enter)

    Danna:  Harold, I thought I told you that I couldn’t touch your hair anymore.  It makes me feel dead inside.

    Harold:  But I will die if I cannot feel your embrace on my follicles.

    another person enters and sees the person 1 writing and the scene that is happening in front of them.  the person takes the pencil and writes some dialogue of their own.

    Danna:  Gross, Harold…gross.

     
  • Plagiarist Katie 2:07 pm on September 15, 2008 Permalink | Reply  

    Reflections upon the first week of rehearsal… 

    So, I’ve been asked to reflect upon the first week of rehearsal, which is a relatively easy thing to do, but believe me when I say I am confronting lots of fears and difficulties in writing this entry. The first, and not a minor one, is my frustration with blogging, which will probably manifest itself in all sorts of childish ways, as I linguistically stomp my feet through this experience.  Why I don’t know.  I talk plenty in general.  The nice thing about talking is that the words kind of just float away after you say them, and you don’t have the opportunity to look back at them regularly and think- “gee- I sound stupid” or “arrogant” or “ignorant” or “snotty” or “vulgar” or ” grammatically challenged” (and I can’t spell for shit, another avoided by merely running one’s mouth rather than writing stuff down.).  And all this is connected very well to the second hurdle I face in this entry:  the fear of Promiscuous Stories.  My ears rang from anxiety during the read-through “Did I really write that many stage directions in Planet Big Zero?”  I imagined everyone tapping their feet and rolling their eyes while the stage directions went on and on- micro managing ever moment.  “Oh God! Did they hear me laugh at my own joke?”  “Are these people thinking ill of me because I am drinking beer our first rehearsal?”  Jeez…I probably should have had more.

    Anyway- we read the play, and I heard flaws that made me cringe, even though we’ve rewritten more times that I can say, BUT when it was over I thought, “that’s a darn good play.”  I even surprised myself.  I mean, its not like I ever thought it was bad.  I love it.  I love all the stories, I’ve loved all the work-shopping we’ve done, and I am really proud of the work we have put into insuring that this script is as good as we can make it.  There is a switch that turns on when the script appears in the hands of others, whether it be when we were soliciting designers, the actors at the readings and auditions, or the pals that we asked to take a look during the process.  The switch flips and I think I am am hearing/reading the play as an outsider, with no previous knowledge of the process, and my ears begin to ring because all I hear/read are bad stage directions!!!   I am very melodramatic.

    Anyway, the read through was good, besides the paranoia induced tinnitus.  I cannot believe what a cool team of actors and designers are working on this show. It’s great!  And there are so many of them!  We are an army!  And things have only gotten easier since, you know why?  Because rehearsals have been really fun.  Once we got the play on its feat, (I mean feet), it been great to collaborate with all these lovely people.   And everyone seems comfortable.  The work is good work to do.

     Now, the blogging monster in my head is telling me it is time to end because I am desiring to go back and read this, and if I do- I will probably delete it all.  Bleh. 

     
    • Plagiarist GregoryNo Gravatar 7:19 am on September 17, 2008 Permalink

      As a director, I feel the exact same way when a new person comes into a rehearsal. That sense of the floor dropping away, that sense of “what was I thinking?” about every decision I’ve made, the feeling that suddenly there’s not enough time in the world to fix all the things I’ve done wrong. Something about new eyes on a project helps us to divorce ourselves from our process-induced blinders and forces a new objectivity (or in my my case, a reverse of my previous subjectivity) even if the new eyes themselves are enormously subjective & supportive and love what you’re doing..

      Anyway, the audience never has to sit through the stage directions.

    • Plagiarist KatieNo Gravatar 11:35 am on September 17, 2008 Permalink

      Thank God for that!

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